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一直作為米路斯．科曼(🐽)劇本鐵(tiě )三角(jiǎo )（另一(🌰)位(🃏)是帕培錫(🕸)，也(yě )是本(běn )片編劇之一）成員的(🐉)艾(ài )雲．巴薩，當(🐮)然也走低度戲(🌫)劇路線。同(tóng )是音樂家的彼德與卡洛老友重逢，生活(huó )狀況(🕯)大不同，你有伴侶我(wǒ )有家庭(tíng )(🕌)，然而(ér )都有(🥞)說(🗑)不出的不明朗，唯有(yǒu )以酒(jiǔ )與音樂代替口(💞)水(⏺)。全(🌙)片推展不(bú )問目(🌚)的，只在剎那(🖲)間的意圖，行(háng )行企(qǐ )企比(bǐ )起(💻)科曼更義(🔝)無反顧，卻有生(shēng )(🌞)活淡如流水(🙉)的(💪)詩(⛓)意和(hé )繆(🈴)思(🍄)，叫觀眾聯想到二(èr )十年後的伊力(⛳)．盧(lú )馬(mǎ )。巴薩鍾愛音樂(🤖)的程度(🌮)不下於文字和(💝)電影，古典音樂與民間音(🦇)樂於(yú )全片(piàn )迴(huí )轉迴(huí )盪，難(nán )怪(🤷)成了奇斯(sī )洛(luò )夫(💹)斯基(jī )十大心愛(🏒)電影(yǐng )之(zhī )一(yī )。 康(kāng )城影(📛)展青年評審(🥤)團獎，美(měi )國(guó )全國影(🏃)評人協會特別獎 (🐖) 這(zhè )部1966年的珍品(pǐn )，是捷克(kè )新浪(làng )潮(cháo )短(🎦)暫(zàn )生命中(🔪)最佳作品之一。成(🤼)名(míng )音(yīn )樂家到小(🎴)鎮探訪舊同學，舊同學是個(🔮)窮(qióng )音樂教師，有(yǒu )時在喪禮(lǐ )上吹奏(zòu )樂(👼)曲。平(píng )凡的素材在(🙅)巴(🛃)素手裡(lǐ )(🕵)，變出(chū )風趣復(👆)罕(🔍)見的旋(🗒)律，一部(🎁)憂鬱的(de )喜劇，或灰色喜(😼)劇(🔮)。 (🏁)- Dave Kehr, Chicago Reader (🍂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🎻) Source HKIFF Czech New Wave 2006
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